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	<title>VisualFXtuts.com &#187; projuice.org</title>
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	<link>http://visualfxtuts.com</link>
	<description>VFX, Motion Graphics, HDSLR News and Tutorials</description>
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		<title>ProJuice.org Witness Protection (Final Cut Pro &amp; After Effects)</title>
		<link>http://visualfxtuts.com/updates/projuiceorg-witness-protection-final-cut-pro-effects/</link>
		<comments>http://visualfxtuts.com/updates/projuiceorg-witness-protection-final-cut-pro-effects/#comments</comments>
		<pubDate>Fri, 10 Jul 2009 01:30:22 +0000</pubDate>
		<dc:creator>Topher</dc:creator>
				<category><![CDATA[Updates]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[After Effects]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[Motion Graphics]]></category>
		<category><![CDATA[projuice.org]]></category>
		<category><![CDATA[visual effects]]></category>

		<guid isPermaLink="false">http://visualfxtuts.com/?p=936</guid>
		<description><![CDATA[Nick takes us through 3 different ways to render a character unidentifiable in an interview situation.

In the first instance, he uses an image mask in Final Cut Pro to colour correct the image and applies a pitch shift to change the voice.....]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.projuice.org/WitnessProtection.html"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://www.projuice.org/images/*V1.0/Witness_Small.jpg" alt="" width="136" height="91" /></a>Nick takes us through 3 different ways to render a character unidentifiable in an interview situation.</p>
<p>In the first instance, he uses an image mask in Final Cut Pro to colour correct the image and applies a pitch shift to change the voice.</p>
<p>In the second instance he uses a blur filter and an 8-point garbage matte to blur out the characters voice. He then shows you how to use the &#8216;paste attributes&#8217; setting in Final Cut Pro to apply an audio effect created on a previous clip to this new clip.</p>
<p>Finally, he uses After Effects to motion track a number of black bars across the distinguishing features of his witness under protection.</p>
<p>After you click through over to ProJuice.org&#8217;s website, you can watch the tutorial in standard definition or high definition.</p>
<p align="center"><a href="http://www.projuice.org/WitnessProtection.html"><img src="http://www.projuice.org/images/*V1.0/Witness%20Image%201.jpg" alt="Version 1" width="162" height="122" /></a><a href="http://www.projuice.org/WitnessProtection.html"><img src="http://www.projuice.org/images/*V1.0/Witness%20Image%202.jpg" alt="Version 2" width="162" height="122" /></a><a href="http://www.projuice.org/WitnessProtection.html"><img src="http://www.projuice.org/images/*V1.0/Witness%20Image%203.jpg" alt="Version 3" width="162" height="122" /></a></p>
<p>Three different ways to render your character unrecognizable.</p>
<h3>Related Tutorials</h3>
<ol>
<li><a href="http://www.projuice.org/Rocklighting.html">Rock Lighting</a></li>
<li><a href="http://www.projuice.org/heathaze.html">Heat Haze</a></li>
<li><a href="http://www.projuice.org/KungFuEnergyBall.html">Kung Fu Energy Ball</a></li>
<li><a href="http://www.projuice.org/BuildingEffects.html">Building Effects</a></li>
<li><a href="http://www.projuice.org/Tutorial002.html">Knoll Light FX </a></li>
<li><a href="http://www.projuice.org/tracking_screens.html">Tracking Screens</a></li>
<li><a href="http://www.projuice.org/bleachbypass.html">Bleach Bypass</a></li>
</ol>
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		<title>ProJuice.org Energy Ball Tutorial!</title>
		<link>http://visualfxtuts.com/roundups/projuiceorg-energy-ball-tutorial/</link>
		<comments>http://visualfxtuts.com/roundups/projuiceorg-energy-ball-tutorial/#comments</comments>
		<pubDate>Mon, 11 May 2009 15:47:00 +0000</pubDate>
		<dc:creator>Topher</dc:creator>
				<category><![CDATA[Roundups]]></category>
		<category><![CDATA[After Effects]]></category>
		<category><![CDATA[Arlo]]></category>
		<category><![CDATA[Energy Ball]]></category>
		<category><![CDATA[Nick]]></category>
		<category><![CDATA[particles]]></category>
		<category><![CDATA[pro juice]]></category>
		<category><![CDATA[projuice.org]]></category>

		<guid isPermaLink="false">http://visualfxtuts.com/?p=724</guid>
		<description><![CDATA[In this new tutorial from Pro Juice, Nick takes you through the steps of creating an energy ball with the Particle Filter in Adobe After Effects.

Using a layer of smoke, blurs, colour correction and some masking techniques, Nick shows you how to create the energy ball, give it a burning hot spot, animate it to fly towards the camera and reflect off the nearby fence.

You can also download the sound effect (created by Arlo) used in the animation here to use in your own project.

Running Time: 7 min 36 sec

Kung Fu Arlo

Arlo in full flight on a Melbourne roof top.
Related Tutorials

   1. Building Effects
   2. Knoll Light FX
   3. Tracking Screens
   4. Bleach Bypass

]]></description>
			<content:encoded><![CDATA[<div class="pagecontent">
<div class="entry"><a href="http://www.projuice.org/KungFuEnergyBall.html"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="left alignleft" src="http://www.projuice.org/images/*V1.0/KungFu_Small.jpg" alt="" width="136" height="91" /></a>In this new tutorial from Pro Juice, Nick takes you through the steps of creating an energy ball with the Particle Filter in Adobe After Effects.</p>
<p>Using a layer of smoke, blurs, colour correction and some masking techniques, Nick shows you how to create the energy ball, give it a burning hot spot, animate it to fly towards the camera and reflect off the nearby fence.</p>
<p>You can also download the sound effect (created by Arlo) used in the animation <a href="http://www.projuice.org/SOUND%20EFFECTS/Arlo%20Energy%20Ball_1-2.aif" target="_blank">here</a> to use in your own project.</p>
<p>Running Time: 7 min 36 sec</p>
<p style="text-align: center;"><a href="http://www.projuice.org/KungFuEnergyBall.html"><img style=' display: block; margin-right: auto; margin-left: auto;'  class="aligncenter" src="http://www.projuice.org/images/*V1.0/KungFu_Large.jpg" alt="Kung Fu Arlo" width="525" height="293" /></a></p>
<p>Arlo in full flight on a Melbourne roof top.</p>
<h3>Related Tutorials</h3>
<ol>
<li><a href="http://www.projuice.org/BuildingEffects.html">Building Effects</a></li>
<li><a href="http://www.projuice.org/Tutorial002.html">Knoll Light FX </a></li>
<li><a href="http://www.projuice.org/tracking_screens.html">Tracking Screens</a></li>
<li><a href="http://www.projuice.org/bleachbypass.html">Bleach Bypass</a></li>
</ol>
</div>
</div>
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		<title>Fat Teusday Post</title>
		<link>http://visualfxtuts.com/updates/fat-teusday-post/</link>
		<comments>http://visualfxtuts.com/updates/fat-teusday-post/#comments</comments>
		<pubDate>Tue, 14 Apr 2009 19:48:51 +0000</pubDate>
		<dc:creator>Topher</dc:creator>
				<category><![CDATA[Updates]]></category>
		<category><![CDATA[3DS Max]]></category>
		<category><![CDATA[aetuts]]></category>
		<category><![CDATA[After Effects]]></category>
		<category><![CDATA[Aharon Rabinowitz]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Autodesk]]></category>
		<category><![CDATA[basics]]></category>
		<category><![CDATA[C4D]]></category>
		<category><![CDATA[Cinema4D]]></category>
		<category><![CDATA[Compositing]]></category>
		<category><![CDATA[Corner Pin]]></category>
		<category><![CDATA[Digital Tutors]]></category>
		<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[fineCG.com]]></category>
		<category><![CDATA[Form]]></category>
		<category><![CDATA[Fusion]]></category>
		<category><![CDATA[GreyScaleGorilla.com]]></category>
		<category><![CDATA[Key Correct Pro]]></category>
		<category><![CDATA[Keying]]></category>
		<category><![CDATA[maltaannon]]></category>
		<category><![CDATA[MaxAfter.com]]></category>
		<category><![CDATA[Maya]]></category>
		<category><![CDATA[mental ray]]></category>
		<category><![CDATA[Michele Yamazaki]]></category>
		<category><![CDATA[Motion]]></category>
		<category><![CDATA[Mudbox]]></category>
		<category><![CDATA[Nick Campbell]]></category>
		<category><![CDATA[Ninja Crayon]]></category>
		<category><![CDATA[NUKE]]></category>
		<category><![CDATA[Particular]]></category>
		<category><![CDATA[PFlow]]></category>
		<category><![CDATA[Photoshop]]></category>
		<category><![CDATA[projuice.org]]></category>
		<category><![CDATA[RockGen]]></category>
		<category><![CDATA[Softimage]]></category>
		<category><![CDATA[The Foundry]]></category>
		<category><![CDATA[Toolfarm]]></category>
		<category><![CDATA[Trapcode]]></category>
		<category><![CDATA[Vue]]></category>
		<category><![CDATA[XSI]]></category>

		<guid isPermaLink="false">http://visualfxtuts.com/?p=661</guid>
		<description><![CDATA[Hey everyone!  I have been hard at work, setting up a green screen studio in my basement so that I can up the production level of the VLOGs.  I have some great ideas in mind... and the VLOGs are hopefully going to be a weekly thing once i get a schedule down.  In the meantime, you can check out the rad array of tutorials that I have been collecting this week, a]]></description>
			<content:encoded><![CDATA[<p><a href="http://ae.tutsplus.com/articles/a-concise-guide-to-after-effects-keyboard-shortcuts/"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/thumbnail-4.jpg" alt="" width="147" height="147" /></a></p>
<p>Hey everyone!  I have been hard at work, setting up a green screen studio in my basement so that I can up the production level of the VLOGs.  I have some great ideas in mind&#8230; and the VLOGs are hopefully going to be a weekly thing once i get a schedule down.  In the meantime, you can check out the rad array of tutorials that I have been collecting this week, as well as read my weekly articles over at AEtuts+, as well as my latest &#8211; &#8220;<a href="http://ae.tutsplus.com/articles/a-concise-guide-to-after-effects-keyboard-shortcuts/" target="_blank">A Concise Guide To After Effects Keyboard Shortcuts</a>&#8220;.</p>
<p><span style="color: #000000;">.</span></p>
<p style="text-align: center;"><a href="http://finecg.com/blog/great-and-inevitable-opening-of-finecg-standing-ovation/"><img style=' display: block; margin-right: auto; margin-left: auto;'  class="size-full wp-image-56 aligncenter" title="blog1" src="http://img.photobucket.com/albums/v284/cosmic_pope/blog1.jpg" alt="blog1" width="445" height="78" /></a></p>
<p>fineCG.com, a new site from Maltaannon, and his buddies at Polygon Studio are bringing you tutorials from all kinds of different aspects in the Visual Effects realm.   The first tutorial, called <a style="text-align: center;" href="http://finecg.com/tutorials/3d-sport-animation">3D Sport Animation</a>, takes a 3D low poly model of a human and makes the whole body particles using Pflow and animates while it kicks around a soccer ball (football).  Check out fineCG.com <a href="http://finecg.com/blog/great-and-inevitable-opening-of-finecg-standing-ovation/">HERE</a> and watch the tutorial <a href="http://finecg.com/tutorials/3d-sport-animation">HERE</a> and download the project files <a href="http://maltaannon.com/finecg/01/01_sportscene.zip">HERE</a>.</p>
<p><a href="http://ae.tutsplus.com/tutorials/motion-graphics/create-a-particle-breakup-logo-transition/"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/preview-11.jpg" alt="" width="146" height="146" /></a><a href="http://ae.tutsplus.com/tutorials/motion-graphics/create-a-particle-breakup-logo-transition/">Create a Breakup into Particles Logo Transition<br />
</a><small>Apr 13th in <a title="View all posts in Motion Graphics" rel="category tag" href="http://ae.tutsplus.com/category/tutorials/motion-graphics/">Motion Graphics</a> by <a title="Posts by Lloyd" href="http://ae.tutsplus.com/author/lloyd/">Lloyd<br />
</a></small>A very popular request is how to make a logo breakup into particles and reform into another logo. There’s many ways to achieve this and most of them require a full 3D application, but in this tutorial we learn how to achieve it all in After Effects using a 3D particle systems and a few smoke and mirrors.<br />
<a class="more-link" href="http://ae.tutsplus.com/tutorials/motion-graphics/create-a-particle-breakup-logo-transition/#more-1331">Continue Reading<br />
</a><span style="color: #000000;"><span class="more-link">.</span></span></p>
<p><a href="http://projuice.org/dayfornight.html"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/dayfornight_small.jpg" alt="" width="136" height="112" /></a>In this tutorial, Nick takes a photo of a streetscape during the day and turns it into a night scene. He takes us through the steps of darkening and colouring the image to look like night, and then creates a light source to turn the street lamps on as well as giving the light a fall-off on the road below.<br />
To download the project file for After Effects, click <a href="http://projuice.org/Project%20Files/Day%20For%20Night%20Tutorial.zip" target="_blank">here</a>. You will find an After Effects project file and a still image to work with.  <a href="http://projuice.org/dayfornight.html" target="_blank">LINK HERE</a></p>
<p><a href="http://projuice.org/tracking_screens.html"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/Tracking_Screens_Small.jpg" alt="" width="136" height="113" /></a>In this tutorial, Nick shows us how to use the &#8216;Corner Pin&#8217; tool in After Effects to sit a piece of video in a billboard. He also demonstrates how to use motion tracking and masking techniques to successfully sit the new piece of footage on a moving billboard and behind tree branches.  It&#8217;s a versatile technique that can be applied to a range of uses including: replacing letters on number plates, putting signs on windows and replacing existing video footage on screens with other footage.  <a href="http://projuice.org/tracking_screens.html" target="_blank">LINK HERE</a></p>
<p><a href="http://aefreemart.com/2009/04/10/how-to-use-after-effects-masks-as-custom-splines-for-text-extrusions-with-boris-continuum-complete-6/"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/toolfarm-header.jpg" alt="" width="125" height="125" /></a><a title="Permanent Link to How To Use After Effects Masks As Custom Splines For Text Extrusions With Boris Continuum Complete 6" rel="bookmark" href="http://aefreemart.com/2009/04/10/how-to-use-after-effects-masks-as-custom-splines-for-text-extrusions-with-boris-continuum-complete-6/">How To Use After Effects Masks As Custom Splines For Text Extrusions With Boris Continuum Complete 6</a></p>
<p>A video by Michele Yamazaki</p>
<p><a href="http://www.toolfarm.com/demo/demo.php">Download a free demo of BCC6</a> | <a href="http://store.yahoo.com/cgi-bin/clink?toolfarm+2BRsnZ+bococo.html">Buy BCC 6</a> | <a href="http://www.toolfarm.com/plugins/index.php/Boris_Continuum_Complete">Learn more about BCC 6 in Toolfarm&#8217;s Plug-in Finder</a></p>
<div class="left">
<div class="videoThumbnail"><a rel="nofollow" href="http://www.wonderhowto.com/how-to/video/how-to-create-the-self-filling-cup-effect-in-after-effects-264060/"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/633751588460136148.jpg" alt="How to create the self-filling cup effect in After Effects" width="119" height="91" /></a></div>
<div class="timeAndGrade">
<div id="videoLengthctl00_cphContent_vlVideos_rptVideos_ctl00_v" class="timeLeft"><a id="videoTitlectl00_cphContent_vlVideos_rptVideos_ctl00_v" title="How to create the self-filling cup effect in After Effects" href="http://www.wonderhowto.com/how-to/video/how-to-create-the-self-filling-cup-effect-in-after-effects-264060/">Create the self-filling cup effect in After Effects</a></div>
</div>
</div>
<p><span id="videoDescriptionTextctl00_cphContent_vlVideos_rptVideos_ctl00_v">This film editing video tutorial will show you how to create the self-filling cup effect in After Effects.<a href="http://www.wonderhowto.com/how-to/video/how-to-create-the-self-filling-cup-effect-in-after-effects-264060/" target="_blank"><br />
LINK HERE</a></span></p>
<p><span style="color: #000000;">.</span></p>
<p><a href="http://blogs.digitalmediaonlineinc.com/ninjacrayon/entry/20090408"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/rock_c4d.jpg" alt="" width="167" height="152" /></a>Free RockGen Plugin for Cinema4D by Robert Hitzer<br />
Via NinjaCrayon &#8211; RockGen is a free Plugin for Maxons Cinema 4D. With this plugin you can easily create random rocks.The process of creation is very in intuitive, controlled by a few parameters. Also, RockGen creates Materials automatically. Those contain one of three included textures in different channels for creating a maximum of realism.<br />
[<a class="readmore" href="http://blogs.digitalmediaonlineinc.com/ninjacrayon/entry/20090408">Read More</a>]<br />
<span style="color: #000000;">.</span></p>
<p><a href="http://store.yahoo.com/cgi-bin/clink?toolfarm+NedESV+trsu20upspb1.html"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/toolfarm_2050_12644762.gif" alt="" width="170" height="108" /></a>Upgrade <span style="font-weight: bold;">any Trapcode product</span> <span style="font-weight: bold;">to the FULL SUITE for only $399</span>, or upgrade any two products to the FULL SUITE for only $299! The full suite includes all 9 Trapcode plug-ins; Shine, Starglow, 3D Stroke, Soundkeys, Lux, Particular, Echospace, Horizon and Form!  Have SHINE?  Get &#8216;em ALL for only $399.  <a href="http://store.yahoo.com/cgi-bin/clink?toolfarm+NedESV+trsu20upspb1.html" target="_blank">LINK HERE<br />
</a><span style="color: #000000;">.</span><a href="http://store.yahoo.com/cgi-bin/clink?toolfarm+NedESV+trsu20upspb1.html" target="_blank"><br />
</a></p>
<p><a href="http://www.digitaltutors.com/free_tutorials/video_d.php?vid=665"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/665-bannerb.jpg" alt="" width="267" height="125" /></a>IPR in Maya vs. Render Region in XSI</p>
<p>In this lesson we will learn about the powerful and fast Render Region feature of XSI.</p>
<p>Uses XSI 5.0+  <a href="http://www.digitaltutors.com/free_tutorials/video_d.php?vid=665" target="_blank">LINK HERE</a></p>
<p><span style="color: #000000;">.</span></p>
<p><a href="http://www.digitaltutors.com/free_tutorials/video_d.php?vid=697&amp;cat=5"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/697-bannerb.jpg" alt="" width="267" height="132" /></a>ASHLI Bump Mapping in Maya<br />
In this lesson we will learn how to use ASHLI bump shaders to make a low polygon mesh look more detailed in real time. We will also learn how to use the Surface Sampler to generate a normal map from a high-poly mesh.  <a href="http://www.digitaltutors.com/free_tutorials/video_d.php?vid=697&amp;cat=5" target="_blank">LINK HERE</a></p>
<p><span style="color: #000000;">.<br />
.</span></p>
<p><a href="http://www.digitaltutors.com/free_tutorials/video_d.php?vid=1075&amp;cat=5"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/1075-bannerb.jpg" alt="" width="263" height="124" /></a>Inserting Joints in Maya<br />
In this lesson we will learn how to insert joints within a bound joint chain without negatively affecting the bind.<br />
Uses Autodesk Maya 2008+</p>
<p><a href="http://www.digitaltutors.com/free_tutorials/video_d.php?vid=1075&amp;cat=5" target="_blank">LINK HERE</a></p>
<p><span style="color: #000000;">.</span></p>
<p><a href="http://www.digitaltutors.com/free_tutorials/video_d.php?vid=662&amp;cat=32"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://www.digitaltutors.com/dtv_/xsi/basics/662/662-bannerb.jpg" alt="" width="258" height="128" /></a>Maya and XSI Modules<br />
Modules are groups of similar commands. For example, all of the modeling commands are under the modeling module. Try learning the shortcut keys of each module for a faster workflow inside XSI.<br />
<a href="http://www.digitaltutors.com/free_tutorials/video_d.php?vid=662&amp;cat=32" target="_blank"></a></p>
<p><a href="http://www.digitaltutors.com/free_tutorials/video_d.php?vid=662&amp;cat=32" target="_blank">LINK HERE<br />
</a><span style="color: #000000;">.</span></p>
<p><a href="http://www.digitaltutors.com/free_tutorials/video_d.php?vid=1035&amp;cat=26"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/1035-bannerb.jpg" alt="" width="250" height="117" /></a> Animating Water with Turbulence Displace in After Effects<br />
In this lesson we will learn how to create a fake moving water effect using Turbulence Displace in After Effects.<br />
Uses AE7+  <a href="http://www.digitaltutors.com/free_tutorials/video_d.php?vid=1035&amp;cat=26" target="_blank"></a></p>
<p><a href="http://www.digitaltutors.com/free_tutorials/video_d.php?vid=1035&amp;cat=26" target="_blank">LINK HERE</a><br />
<span style="color: #000000;">.</span></p>
<p><a href="http://www.fxmogul.com/uploads/ViewUpload.aspx?UploadID=779"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/702e5964-17d5-4bf1-b15a-fab3281ec23.jpg" alt="" width="187" height="111" /></a>This is chapter 4 of the <strong>nuke</strong> training series video. Maya is used to break down this project into proper pass structures for <strong>nuke</strong>.  <a href="http://www.fxmogul.com/uploads/ViewUpload.aspx?UploadID=779" target="_blank"><br />
LINK HERE<br />
</a>This is chapter 5 of the <strong>nuke training</strong> series video. Nuke is show in regards to the separations of multi-channel EXR sequences.  <a href="http://www.fxmogul.com/uploads/ViewUpload.aspx?UploadID=780"><br />
LINK HERE</a></p>
<p class="style11"><a href="http://www.3dtotal.com/team/Tutorials_3/mudbox/common_user_errors/user_errors_01.asp"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/main-8.jpg" alt="" width="312" height="111" /></a>This video covers a couple of the more prevalent user errors and their solutions. These errors aren&#8217;t due to Mudbox, but due to what could be termed &#8216;Pilot Error&#8217;.<br />
<a href="http://www.3dtotal.com/team/Tutorials_3/mudbox/common_user_errors/user_errors_01.asp" target="_blank">LINK HERE</a></p>
<p class="style11"><span style="color: #000000;">.</span></p>
<p class="style11"><a href="http://www.3dtotal.com/team/Tutorials_3/wired_lights/wired_lights01.asp"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/main-9.jpg" alt="" width="312" height="108" /></a>In our latest 3dsmax video tutorial Michael Bauer shows us how to use wire parameters and limit controllers to rig lights in a scene.</p>
<p class="style11"><a href="http://www.3dtotal.com/team/Tutorials_3/wired_lights/wired_lights01.asp" target="_blank">LINK HERE</a></p>
<p class="style11"><span style="color: #000000;">.</span></p>
<p class="style11"><a href="http://www.tvgrafx.com/tutorials/assets/sketch_car.mov"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/blocks_image_2_1.jpg" alt="" width="130" height="107" /></a><span style="color: #ffffff;"><span style="font-family: Arial,Verdana,Helvetica,sans-serif; font-style: normal; font-variant: normal; font-size: 15px; line-height: normal; font-size-adjust: none; font-stretch: normal; font-weight: bold;">Sketch Car -</span> <span style="font-family: Arial,Verdana,Helvetica,sans-serif; font-style: normal; font-variant: normal; font-size: 15px; line-height: normal; font-size-adjust: none; font-stretch: normal; font-weight: bold;"> <em>NEW</em></span><span style="font-family: Arial,Verdana,Helvetica,sans-serif; font-style: normal; font-variant: normal; font-size: 15px; line-height: normal; font-size-adjust: none; font-stretch: normal; font-weight: bold;"><br />
</span><span style="font-family: Arial,Verdana,Helvetica,sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 15px; line-height: normal; font-size-adjust: none; font-stretch: normal;"><em>Cinema               4D • After Effects</em></span><span style="font-family: Arial,Verdana,Helvetica,sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal;"><br />
• Sketch &amp; Toon<br />
• AE Set Matte<br />
• Track Mattes/Object Buffer</span></span></p>
<p><span style="font-family: Arial,Verdana,Helvetica,sans-serif; font-style: normal; font-variant: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal; color: #535353; font-weight: bold;"><a title="Sketch Car" rel="gb_page[640, 415]" href="http://www.tvgrafx.com/tutorials/assets/sketch_car.mov">WATCH</a></span></p>
<p><span style="font-family: Arial,Verdana,Helvetica,sans-serif; font-style: normal; font-variant: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal; color: #535353; font-weight: bold;"><a href="http://c4dtuts.com/basics/the-basics-2-primitives/"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/basics.jpg" alt="" width="146" height="146" /></a></span>Welcome to the second tutorial in the “the basics” series.  In the <a href="http://c4dtuts.com/basics/cinema-4d-interface-tutorial/" target="_blank">previous tutorial</a> you have learned the basics of the Cinema 4D interface.</p>
<p>In this tutorial you will learn how to add primitives to your scene, how to move your primitive around and how to change the size.  You will also learn how to use the different views and the coordinate manager.</p>
<p><a class="more-link" href="http://c4dtuts.com/basics/the-basics-2-primitives/#more-184"><strong>Continue reading</strong></a></p>
<p><strong><a href="http://geekatplay.com/flvplayer/player.php?pathinfo=materialmapping"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/tut_materialmapping.jpg" alt="" width="270" height="71" /></a></strong>119. Material mapping. NEW 4/9/2009 Vue 6 and 7<br />
* Exporting terrain map.<br />
* Creating map in photoshop.<br />
* Importing map in to Vue.<strong> <a href="http://geekatplay.com/flvplayer/player.php?pathinfo=materialmapping" target="_blank">LINK HERE</a></strong></p>
<p><a href="http://vimeo.com/4096986?pg=embed&amp;sec="><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://3.bp.blogspot.com/_iQeD0HlIY3g/Sd_zLEoFeuI/AAAAAAAAAak/-JxCABzldaw/s400/skyreplacefusion.png" alt="" width="327" height="152" /></a><span style="color: #cccccc; font-family: arial; font-size: 85%;">In this tutorial we will review two Fusion plugins. One from Speedsix and the other from The Foundry. We will look at basic and advanced compositing techniques using BSplines, color matching and perspective matching. Using the amazing plugin, Tinderbox, we will replace the sky in our footage and composite it to look realistic. The example is unlike the result yielded from the tutorial, as the example is stylized while the result from the tutorial is photo realistic.  As always the tutorial is best viewed from the tutorials page. <a href="http://vimeo.com/4096986?pg=embed&amp;sec=">LINK HERE</a></span></p>
<p><a href="http://www.blogger.com/post-create.g?blogID=4589910486973750984" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img id="BLOGGER_PHOTO_ID_5322087102860352146" class="alignleft" style="border: 0pt none ; margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;;  float: left; padding: 4px; margin: 0 7px 2px 0;" src="http://4.bp.blogspot.com/_iQeD0HlIY3g/SdvaBb2t2pI/AAAAAAAAAYc/rZnkpjAjUcY/s400/helitut.png" border="0" alt="" width="325" height="130" /></a></p>
<p><span style="font-family: arial; font-size: 85%;"><span style="color: #cccccc;">n this PFlow training video we will learn to make a procedural dust cloud underneath of a helicopter as it lands. This tutorial was a welcomed request on the site, and it gives us a break from technical training in order to get into a more project based learning environment. This video is a real world challenge to which we are to find a solution, and we will yield some good results without using any third party plug ins.  <a href="http://www.blogger.com/post-create.g?blogID=4589910486973750984">LINK HERE</a></span></span></p>
<p><a href="http://www.redgiantsoftware.com/videos/redgianttv/item/17/"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/image_redgianttv_list_17.jpg" alt="" width="190" height="142" /></a><a href="http://www.redgiantsoftware.com/videos/redgianttv/item/17/">Episode 16: Better Compositing with Light Wraps </a><span id="redboldtext">By Aharon Rabinowitz</span><strong></strong></p>
<div id="redgianttvlist_copy">In this Episode, Aharon Rabinowitz shows you how to get better compositing results with Light Wraps &#8211; an effect used to blend the background light and foreground elements more convincingly during a composite.</p>
<p><a href="http://www.redgiantsoftware.com/videos/redgianttv/item/17/"><strong>Read More</strong></a> |  <a href="http://www.redgiantsoftware.com/videos/redgianttv/item/17/"><strong>Watch Video</strong></a> |  <a href="http://www.redgiantsoftware.com/videos/redgianttv/item/17/"><strong>Comment</strong></a><br />
<span id="redboldtext">Product(s) Used:</span> <a href="http://www.redgiantsoftware.com/products/all/key-correct-pro/">Key Correct Pro</a></div>
<div><a href="http://www.3dtotal.com/team/Tutorials_3/Compositing/Compositing_01.asp"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/main-10.jpg" alt="" width="317" height="110" /></a></div>
<div>At 3D Total -</div>
<div>Our latest 3dsmax tutorial is by Lee Johnson and he shows us all about compositing for production.</div>
<p><span class="style19"><strong>Software Used: </strong>3ds  Max &amp; Mental Ray<br />
<a href="http://www.3dtotal.com/team/Tutorials_3/Compositing/Compositing_01.asp" target="_blank">LINK HERE</a> <a href="http://www.3dtotal.com/team/Tutorials_3/Compositing/tutorials_compositing_scenefiles.rar" target="_blank">PROJECT FILES</a></span></p>
<p><span class="style19"><a href="http://www.maxafter.com/tunnel.htm"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/tunnel_thumb.jpg" alt="" width="281" height="120" /></a>@ MaxAfter.com -</span><strong><a class="hov1" href="http://www.maxafter.com/tunnel.htm">28. The Tunnel</a></strong></p>
<p>A quick technique of creating a cool futuristic tunnel in After Effects.  Use effects like CC Cylinder, CC Vector Blurr, Fractal Noise etc. to achieve it<br />
<a href="http://www.maxafter.com/tunnel.htm" target="_blank">LINK HERE</a></p>
<p><a href="http://library.creativecow.net/articles/harrington_richard/photoshop_content_aware_scaling.php"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/picon-10.jpg" alt="" width="133" height="124" /></a>In this episode of Photoshop for Video, Richard Harrington takes a look at a new feature in Adobe Photoshop CS4 called content aware scaling. This feature allows a user to define a region or a graphic to scale or not to scale when the image is resized, giving tremendous flexibility to not have certain parts of a photo distorted when other parts are stretched.</p>
<p><a href="http://library.creativecow.net/articles/harrington_richard/photoshop_content_aware_scaling.php" target="_blank">LINK HERE</a></p>
<p><a href="http://library.creativecow.net/articles/gaton_jiggy/fcp_motion.php"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/picon-11.jpg" alt="" width="131" height="121" /></a><span class="style1">Having both FCP and Motion in Final Cut Studio means more options for effects creation with your video projects &#8212; and FCS integration makes it easy to work with them together. Having Motion projects sitting on your FCP timeline even helps keep your projects organized! Our man in Nepal, Jiggy Gaton, shows just how easy it can be to take advantage of it all.</span></p>
<p><span class="style1"><a href="http://library.creativecow.net/articles/gaton_jiggy/fcp_motion.php">LINK HERE</a></span></p>
<p><strong><a href="http://greyscalegorilla.com/blog/2009/04/13/cinema-4d-cs-tools-action-cam/"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://img.photobucket.com/albums/v284/cosmic_pope/gorilla-black-white.jpg" alt="" width="160" height="154" /></a></strong></p>
<p>From Nick Campbell at Greyscalegorilla.com  &#8211; The first video in the CSTools series where I will go though how to use all of Chris Smith’s endlessly useful, CSTools. Today we talk about the 3D Stroke. A Cinema 4D Tool he developed to emulate the Trapcode After Effects Plugin, 3D Stroke.  <a href="http://greyscalegorilla.com/blog/2009/04/10/cinema-4d-tutorial-cs-tools-part-1-3d-stroke/">LINK HERE</a>.  The 2nd video in the series deals with CSTools -  Action Cam&#8230; <a href="http://greyscalegorilla.com/blog/2009/04/13/cinema-4d-cs-tools-action-cam/" target="_blank">LINK HERE<br />
</a> <a href="http://sugarfilmproduction.com/CStools.zip" target="_blank">Download the CSTools Here </a></p>
<p><a href="http://greyscalegorilla.com/blog/category/cinema4d/cstools/">Watch all of the CS Tools Tutorials</a></p>
<p style="text-align: center;"><a href="http://vimeo.com/channels/pbj" target="_blank"><img style=' display: block; margin-right: auto; margin-left: auto;'  class="size-full wp-image-2223 aligncenter" title="peanutbutterandjelly6002" src="http://greyscalegorilla.com/blog/wp-content/uploads/2009/04/peanutbutterandjelly6002.jpg" alt="" width="420" height="107" /></a></p>
<p style="text-align: center;">Don&#8217;t forget about Nick Campbell&#8217;s aka The Gorilla&#8217;s 5 Second Weekly Projects over at GreyScaleGorilla.com.  Gives you a theme and sparks your imagination to MAKE COOL SHIT!</p>
<p><strong><br />
</strong></p>
<p><strong><br />
</strong></p>
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		<title>Pro Juice &#8211; Bleach Bypass in AE and FCP</title>
		<link>http://visualfxtuts.com/roundups/pro-juice-bleach-bypass-ae-fcp/</link>
		<comments>http://visualfxtuts.com/roundups/pro-juice-bleach-bypass-ae-fcp/#comments</comments>
		<pubDate>Tue, 17 Mar 2009 15:03:02 +0000</pubDate>
		<dc:creator>Topher</dc:creator>
				<category><![CDATA[Roundups]]></category>
		<category><![CDATA[After Effects]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[mac]]></category>
		<category><![CDATA[pro juice]]></category>
		<category><![CDATA[projuice.org]]></category>

		<guid isPermaLink="false">http://visualfxtuts.com/?p=569</guid>
		<description><![CDATA[Bleach bypass, also known as skip bleach or silver retention, is an optical effect that entails either the partial or complete skipping of the bleaching function during the processing of a colour film. By doing this, the silver is retained in the emulsion along with the colour dyes.]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://www.projuice.org/bleachbypass.html"><img style=' display: block; margin-right: auto; margin-left: auto;'  class="aligncenter" src="http://img.photobucket.com/albums/v284/cosmic_pope/PJBanner.jpg" alt="" width="300" height="89" /></a></p>
<p><a href="http://www.projuice.org/bleachbypass.html"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft" src="http://www.projuice.org/images/*V1.0/StoryPicSmall18.jpg" alt="" width="155" height="104" /></a>Definition:</p>
<p>Bleach bypass, also known as skip bleach or silver retention, is an optical effect that entails either the partial or complete skipping of the bleaching function during the processing of a colour film. By doing this, the silver is retained in the emulsion along with the colour dyes.</p>
<p>Nick shows us two ways of making a bleach bypass. The first way can be done in AE or Final Cut Pro and involves using two layers. The second is a way he learnt from Creative Cow and can only be done in AE… well you can’t seem to do it in Final Cut anyway.</p>
<p style="text-align: center;"><a href="http://www.projuice.org/bleachbypass.html"><img style=' display: block; margin-right: auto; margin-left: auto;'  class="aligncenter" src="http://img.photobucket.com/albums/v284/cosmic_pope/PJBleachBypass.jpg" alt="" width="325" height="205" /></a></p>
<h3>Related Tutorials</h3>
<p><a href="http://www.projuice.org/Tutorial002.html"> Knoll Light FX </a></p>
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